Wednesday, March 23, 2011

papercut



tzegoh-emo-autumnwinter10-13-hires



tze-goh-spring-summer-2011-white-dress


tzegoh-emo-springsummer11-5

tzegoh-emo-springsummer11-8

tze-goh-spring-summer-2011-white-dress

tze-goh-spring-summer-2011-yellow


tze-goh-spring-summer-2011-vest





tzegoh-emo-autumnwinter10-10


tzegoh-coll-autumnwinter10-7-detail

tzegoh-emo-autumnwinter10-11

tze-goh-central-saint-martins-fashion


tze-goh-central-st-martins-fashion_detail-550


tzegoh-emo-autumnwinter10-15-hires


tzegoh-emo-autumnwinter10-10-hires

tzegoh-emo-autumnwinter10-8

tzegoh-emo-autumnwinter10-4

tzegoh-emo-autumnwinter10-11-hires

tzegoh-emo-autumnwinter10-3




tzegoh-emo-autumnwinter10-1


tzegoh-coll-autumnwinter10-2-detail


tzegoh-emo-autumnwinter10-5


Almost delicate like an immaculate thin sheet of paper, Tze Goh's creations are undoubtedly one of the few who emanates a strong and singular aesthetic. Plainly minimal and pure are the battle-cry of his designs but beneath the almost simple sillhouette lies a platoon of impeccable tailoring , avant garde construction and functional complexity. The garment is genuinely a piece of art. I wouldn't even dare touch it, let alone wear it because its too virginal to be worn by a sinner like me. Its just refreshing to reaffirm the unblemished side of fashion.